Shut Up Sona is about one woman refusing to be silenced, notes Deepa Gahlot.

Rashtra Kavach Om is B-O-R-I-N-G, yawns Deepa Gahlot.

Sherdil: The Pilibhit Saga is a boring, overlongm tale of an eccentric with delusions of leadership, sighs Deepa Gahlot.

Shilpa Shetty fills a uniform with grace and could, in an equal opportunity film industry, be cast with an actor half her age, and carry it off better than aging males prancing with women young enough to be their daughters, observes Deepa Gahlot.

Boman Irani makes his OTT debut with Masoom, and it was good to see the actor on screen after a long time, observes Deepa Gahlot.

Full credit to Ayan Mukerji for venturing into the 'Astraverse', says Deepa Gahlot.

Once the shock value and comic potential of a woman selling condoms runs out, Janhit Mein Jaari loses its mojo, observes Deepa Gahlot.

Akshay Kumar plays the part with enthusiasm, like he was just waiting to get into the costume of a historical hero, observes Deepa Gahlot.

A film that calls itself Dehati Disco cannot be taken seriously, says Deepa Gahlot.

If at all the series can be criticised, it would be for its all-Brahmin characters and keeping out the caste problems, the misogyny and the backwardness and ugliness of rural India, points out Deepa Gahlot.

Modern Love: Mumbai has a mostly good selection of stories, and unlike so many other OTT shows that seem to think profanity and sex depict modernity, this one can be watched with the family without any discomfort, observes Deepa Gahlot.

If the television remote clicks on Stories On The Next Page, it's perhaps worth a look. But it does not merit active seeking in the hunt for watchable content, observes Deepa Gahlot.

Operation Romeo is disappointing not because it is a bad or boring film, but because it did have something significant to say and chickened out, observes Deepa Gahlot.